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But, at the same time, even though I felt we could have gone longer, I also think that the legacy you leave is based on the last thing you do, and we had a great night on a great tour, and that was a show we were really proud of. Everything that happened that night was so profound, and walking off the stage with our arms around one another was bittersweet for sure. Neil came out from behind his drum kit for the first time in 41 years. I don’t know them by name, but I knew them as fans who had long supported us.

I remember looking at people I’ve seen for years and years and years coming to our shows.

“That night, I was trying to take in every little thing I could. What was your impression of the band’s final show in Los Angeles? Photo by Ernest Doroszuk / Postmedia Network Rush performs at the Air Canada Centre for its R40 tour in Toronto on June 17, 2015. That particular night was one of the best shows on the tour.” Starting from Clockwork Angels and working our way backwards was a cool idea, and I think the audience responded to it. Even the last show we played in Toronto on the R40 tour, we were very proud of the staging. Crowds were amazing and fired up to be there. But in Toronto, those early shows at (Maple Leaf) Gardens and those New Year’s Eve shows - those were so exciting and so much fun. “Forty-one years of touring, so many experiences. What’s your favourite memory of playing in the city? Rush is a Canadian success story and a local success story in Toronto. Rush drummer Neil Peart plays a solo during an appearance at Sarnia Bayfest. I knew at 12 years old that music was going to be my life. So it’s a very rich life of music that started from that age. I remember playing in my parents’ basement for 10 friends. We played parties in people’s basements for chips and Coke. I started a band with John Rutsey who lived across the street, and another guy next door played bass. I played that thing for hours, every waking hour. I begged my parents for a guitar for Christmas and they got me a very cheap electrical guitar. My sister’s boyfriend had a guitar and he lent it to me and I played around with it, and I got really interested. I don’t think I know the story of how you came to play the guitar. It might sound corny to say that, but it’s true.” I love music and I love playing - I always have. “I had such a good time working on this material and this is what I like to do. All of these things - I’m clearing house and starting this new direction in my life. We sold our house in the country, I’m selling my guitars at an auction in May - the bulk of my guitars. Once I got into this groove … I just felt it’s time to shed myself of a bunch of things in my life and look forward more clearly.

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“Then when this project came along, I just felt so excited about working on something that I know how to do. We could all understand that, physically, he had enough.

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The way he played for three hours a night, full on, was unbelievable. I still felt we could have worked some more and I think Geddy (Lee) felt the same way. With this project, after the end of Rush, I wasn’t quite ready to retire. We were a success in so many ways for those reasons. We had a great love for each other and we really enjoyed working together. We toured for 41 years and we had many, many albums. With its mix of industrial beats, driving guitars and atmospheric vocals that echoes the sounds of Nine Inch Nails and Evanescence, Lifeson knows the album’s first single, Liar, and its remaining 10 tracks are a departure from the prog-rock sounds of Rush. The band will release its self-titled LP this Friday.Įnvy of None members from left to right: Alex Lifeson, Alfio Annibalini, Andy Curran and Maiah Wynne. I may have known her in another life.”Īlong with producer and engineer Alfio Annibalini (who also plays keyboards and guitars), Lifeson embarked on a new project called Envy of None with Curran and Wynne. “We are separated by quite a few years in age and experience, but there is something old-world about her. We seemed to connect on a strong musical level,” Lifeson says. You’ve got to hear her voice,’ ” the Rock and Roll Hall of Famer recalls. “Andy said to me, ‘This is really special. This advertisement has not loaded yet, but your article continues below. Manage Print Subscription / Tax Receipt.